![premiere plural eye premiere plural eye](https://static.filehorse.com/screenshots/video-software/pluraleyes-screenshot-03.png)
The latest version of the program includes a workflow for music videos, where talent has recorded with the same background audio in multiple takes or even in multiple locations.
#Premiere plural eye code
It will even color code your footage based on the results of the sync so that you know which clips, if any, need your attention. Just hit the Sync button in Premiere Pro, and Plural Eyes does all the work. Get all the power and simplicity of syncing in the app without ever having to leave Premiere Pro.
#Premiere plural eye software
Just hit the Sync button, and the software does the rest. In version 4.0, It analyzes your footage and automatically uses the best possible options.
![premiere plural eye premiere plural eye](https://www.cined.com/content/uploads/2016/03/plurartfix.jpg)
In previous versions of the program, there were over a dozen different sync combination possibilities (Try Really Hard, Change Clip Order.etc.), which meant you might have to run the sync several times before getting it right. Shooter PluralEyes has lots of new features to make syncing your audio and video easy.
#Premiere plural eye pro
With the new PluralEyes Premiere Pro Panel, use the power of the app to sync your files directly inside of Premiere Pro. The product is now a part of Maxon One App! PluralEyes 4.0 is available for $299 standalone, and for $399 as part of Shooter Suite 13.PluralEyes instantly syncs audio and video from multiple cameras and audio devices, in seconds! With a touch of a single button, Plural Eyes app analyzes the audio from your cameras and audio devices and syncs them up, in seconds. But having all that functionality now available within Premiere has made a fast and enjoyable process even more so. Previous versions of the software had performed well for me in the past as standalone apps: there was something very satisfying in seeing all those clips rearrange themselves in a matter of seconds. Shooting live music is one of the many applications for which a tool like this fits just perfectly, and all in all, I was very happy with PluralEyes 4.0. PluralEyes 4 Hands-on Experience: Conclusion They were all being recorded separately to different devices. You can watch the end result here:
![premiere plural eye premiere plural eye](https://downloadly.ir/wp-content/uploads/2016/10/Red-Giant-PluralEyes.jpg)
![premiere plural eye premiere plural eye](https://i.ytimg.com/vi/vBonGK6r8Mc/maxresdefault.jpg)
In addition to Maria’s dynamic microphone, I had a pair of small diaphragm condenser mics recording Samuel’s guitar and another pair of microphones recording room ambience. The setup consisted of 3 cameras-2 recording in 4K and the other in HD-and of course their respective audio. I had to keep the setup simple due to the space constraints in the office but I also wanted to give PluralEyes enough to chew on, so to speak. They are a couple of very talented, Vienna-based musicians originally from Honduras, and they were happy to drop by to perform an acoustic version of their upcoming single. With very little time to plan, I remembered that my good friends Maria Jose and Samuel just happened to be playing a gig near the Cinema5D office. I was particularly interested in PluralEyes’ integration with Adobe Premiere Pro. The folks over at Red Giant were kind enough to provide us with a copy to try, and I decided to put the software to test. Tim’s article from last month covered PluralEyes within this release extensively, so do have a read if this announcement managed to pass you by. Red Giant recently released their Shooter Suite 13, a collection of utility plugins that can help you at several stages of post-production. Today we’re trying out Red Giant’s newest version of their audio syncing plugin, PluralEyes 4.0, and testing how it stacks up against Premiere’s native sync tool.